Old Media Monday: Reviewing the Reviewers


New York Times:

  • Sunday Book Review cover: Robert Reich on The Heart of Power: Health and Politics in the Oval Office by David Blumenthal and James Morone: "This timely and insightful book puts Barack Obama's current quest for universal health insurance in historical context and gives new meaning to the audacity of hope. Universal health care has bedeviled, eluded or defeated every president for the last 75 years.... Blumenthal and Morone’s most provocative finding is that presidents who have been most successful in moving the country toward universal health coverage have disregarded or overruled their economic advisers. Plans to expand coverage have consistently drawn cautions or condemnations from economic teams in every administration, from Harry Truman’s down to George W. Bush’s."
  • Kakutani on True Compass by Ted Kennedy: "Mr. Kennedy is not a particularly introspective writer ... [b]ut he writes in these pages with searching candor about the losses, joys and lapses of his life; the love and closeness of his family; the solace he found in sailing and the sea; his complex relationships with political allies and rivals. Mr. Kennedy’s conversational gifts as a storyteller and his sense of humor — so often remarked on by colleagues and friends — shine through here, as does his old-school sense of public service and his hard-won knowledge, in his son Teddy Jr.’s words, that 'even our most profound losses are survivable.'"
  • Ross Douthat on The Age of Reagan: The Conservative Counterrevolution, 1980-1989 by Steven F. Hayward: "'The Age of Reagan' demonstrates the strengths of partisan historiography as well. Because he takes for granted that Reagan’s presidency was successful, Hayward is free to explore, as few authors have, exactly how he did it.... [I]t’s one of his book’s great strengths that he also recognizes the centrality of compromise to Reagan’s overall success. This was something, he emphasizes repeatedly, that many right-wingers got wrong at the time."
  • David Orr on The Anthologist by Nicholson Baker: "Somehow Nicholson Baker has written a novel about poetry that’s actually about poetry — and that is also startlingly perceptive and ardent, both as a work of fiction and as a representation of the kind of thinking that poetry readers do.... Mostly what Chowder does is talk about poetry. And then talk some more. And then, you know, a little more. This wouldn’t be an exciting prospect — it would, in fact, be a dreadful prospect — except that Chowder is possibly the most appealing narrator Baker has invented."
  • Maslin on Parallel Play by Tim Page: "Now, in his mid-50s, he has written an improbably lovely memoir about the loneliness that has made him feel throughout his life that he is 'not quite a mammal.' ... In fascinatingly precise detail and often to pricelessly funny effect, he describes ways in which his efforts to feign normalcy have backfired."

Washington Post:

  • Charles on A Gate at the Stairs by Lorrie Moore: "'A Gate at the Stairs' is Moore's first novel in 15 years, which means a whole generation of readers has grown up thinking of her only as one of the country's best short-story writers. Get ready to expand your sense of what she -- and a novel -- can do.... [W]hat's so endearing is Moore's ability to tempt us with humor into the surreal boundaries of human experience, those strange decisions that make no sense out of context, the things we can't believe anyone would do.... [O]ne of the many surprising aspects of this novel is its concern for spiritual issues, despite its sheen of slacker irreverence.... At times, these witty, beautiful sentences made me imagine Marilynne Robinson doing stand-up."
  • Gerard DeGroot on The Year That Changed the World by Michael Meyer: "The good historian is a myth buster. Michael Meyer is a very good historian. As Newsweek's bureau chief for Eastern Europe in 1989, he watched the world turn on a dime. The myth he busts in this book concerns the contribution the United States made to the collapse of communist regimes that year....The real story, minus the comic book hero, is more complicated -- and interesting. Reagan still plays a role, but as diplomat, not Rambo.... The events themselves were played out by a cast of thousands in Budapest, Berlin, Prague, Warsaw and Bucharest."

Los Angeles Times:

  • David L. Ulin on Collected Stories by Raymond Carver: "The prominence of 'Beginners' adds a subtext that threatens to subvert the larger arc. That's because, in the main, the pared-down versions of the stories are better, which opens the question of where authenticity resides. Are the unedited drafts more essential because they represent the truer Carver? Or is the point the continuum of his writing, developed through the intersection of internal and external influences?"
  • Ed Park on My Dead Body by Charlie Huston: "Gruesome and often very funny, 'My Dead Body' throws together moods and ideas and set pieces at top velocity, and revels in the complexity of the mess.... Pitt is perpetually swinging -- usually something called an amputation blade -- but as vivid and claustrophobic as the combat scenes are, it's the inventive banter and bleakly funny asides that make 'My Dead Body' enjoyable."

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Hi Tom thanks for sharing this nice & very infomercial article with us.. I was searching for this kind of article and here i got it so thanks again..

Posted by: dvd vierge | Tuesday September 15, 2009 at 11:38 PM

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