Old Media Monday: Reviewing the Reviewers

New York Times
(we covered the Sunday Franzen cover review ahead of time last week):

  • Kakutani on The Thousand by Kevin Guilfoile: "It’s hard to imagine that a novelist could lift such elements from several of the best-known best sellers of recent years and turn them into something original and gripping, but that’s exactly what Mr. Guilfoile has done in 'The Thousand.' Though there’s some ridiculous mumbo jumbo about the secret society at the heart of the novel, though some of the complicated plot points end up not making a whole lot of sense, the book is jet-fueled by its author’s unerring sense of character and his nimble, fleet-footed prose."
  • Jim Krusoe on Meeks by Julia Holmes: "'Meeks' is a wild, woolly, sly, gentle and wry first novel by Julia Holmes, as well as the name of one of the book’s two main characters, a park bum with delusions of grandeur.... 'Meeks' isn’t one of those books a reader snuggles next to for a pleasant trip to the mostly familiar. It’s more like having a dream where everything starts off well enough, and then, without quite knowing why, you’re being chased. It’s a book whose singular vision keeps returning to me at odd moments, one of the most original and readable novels that’s come my way in a long time."
  • Mark Harris on Secret Historian: The Life and Times of Samuel Steward, Professor, Tattoo Artist, and Sexual Renegade by Justin Spring: "Given that Steward lived in an era in which so much of gay history was hidden under mattresses, shoved in the backs of bureau drawers, burnt up in ashtrays and wished away in confessional booths, his desire to document and preserve is in itself as moving as it is rare. Demystification, however, is another matter: his life turns out to have been far too sui generis to exemplify anything except the fact that so much more was going on in gay America than even most gay Americans realized."
  • Robin Romm on The Pain Chronicles by Melanie Thernstrom: "'The Pain Chronicles' is an expansive, invigorating mix of medical reportage, history, memoir and cultural criticism... Yes, some people, including Thernstrom herself, learn to manage medication or train their brains to modulate the perception of pain through neuroimaging. Their successes, recounted so meticulously here, will surely prove useful to others. But 'The Pain Chronicles' is no mere self-help manual. It’s a sophisticated, elegantly compiled treatise — as wide-ranging, complex and defiant as pain itself."
  • Terrence Rafferty on Shirley Jackson: Novels and Stories from the Library of America: "A lot of writers, both in and out of the horror genre, know how to create a sense of dread. What makes Jackson’s sensibility so distinctive is that her brand of dread tends to be self-aware and even, at times, self-amused. There’s often a tinge of embarrassment to her characters’ fear, simply because it’s so tenuous, so apparently sourceless: they can’t tell if what’s troubling them is something or nothing."
  • Maslin on True Prep by Lisa Birnbach: "'True Prep: It’s a Whole New Old World,' [is] a surprisingly worthwhile sequel to the now-creaky 'Handbook.' This new compendium moves beyond school days to address matters newly relevant for the core readership: how to remarry, how to dress for a funeral and how to deal with the collateral damage caused by decades’ worth of the party-hearty behavior described in the first book."

Washington Post:

  • Carolyn See on Growing Up Jung by Micah Toub: "There's nothing more endearing than a family memoir in which the author is actually fond of his family. It's rare; it's close to miraculous. If a person wants to write about his youth and his parents, it's usually because he has scores to settle. Affection turns the whole thing into a miracle.... I hated to see this book end. I loved every person in it, from the wistful dad with his 'fluffy-edged' voice, to Toub's kind and darling mom, his tolerant and loving ex-wife, even that volcanic teenaged sister, who refused to tell stories about the ceiling. 'Growing Up Jung' is a gem."
  • Jess Walter on Skippy Dies by Paul Murray: "If killing your protagonist with more than 600 pages to go sounds audacious, it's nothing compared with the literary feats Murray pulls off in this hilarious, moving and wise book. Recently named to the Man Booker Prize long list, 'Skippy Dies' is an epic crafted around, of all things, a pack of 14-year-old boys. It's the 'Moby-Dick' of Irish prep schools."
  • Sy Montgomery on The Tiger by John Vaillant: "To those of us who love the embattled cat, 'The Tiger' offers the emotional satisfaction of Quentin Tarantino's film 'Kill Bill' -- with the tiger in the role of Uma Thurman's vengeful bride. But the characters in this book, both human and tigrine, are more nuanced.... Vaillant's book teaches a lesson that humankind desperately needs to remember: When you murder a tiger, you not only kill a strong and beautiful beast, you extinguish a passionate soul."
  • And then there's Ron Charles, who has indeed turned his mixed review of Franzen's Freedom (which I linked to last week) into his second video book review. In this case, thanks to some funny homemade effects and a camera-ready subject, I think video beats print:

Los Angeles Times:

  • Carolyn Kellogg on Three Delays by Charlie Smith: "Billy and Alice are a tripped-out Scott and Zelda, a Jane Austen romance via Hunter S. Thompson, a Romeo and Juliet on the burned-out edge of the baby boom.... This fictional relationship, like those in real life, ultimately excludes those not a part of it. There is no effort to seduce the reader; Billy tells us how deeply he knows Alice, but we can't go there with him. Coupled with the unimportant plot and unclear chronology, the refrain of this relationship fails, at times, to carry the book's weight. Luckily, there is Charlie Smith's engulfing prose, full of surprises and possibility, to lift it up. Which it does."
  • Marion Winik on Guilfoile's The Thousand: "If you like Scott Turow, Stan Lee, Dan Brown, or Michael Crichton, then you are in the target audience for Kevin Guilfoile's novel 'The Thousand.' Unfortunately, like smoked duck ravioli with wasabi-tomatillo sauce, Guilfoile has fallen under the sway of one influence too many."

Leave a Comment

Post a comment

Comments are moderated, and will not appear on this blog until approved.

Comments (0)

Lists + Reviews

Best Books Literature + Fiction Nonfiction Kids + Young Adult Mystery, Thriller + Suspense Science Fiction + Fantasy Comics + Graphic Novels Romance Eating + Drinking


Interviews Guest Essays

News + Features

News Features Awards


Omnivoracious, The Amazon Book Review

Feeds Facebook Twitter YouTube