10 Ways to Get Your Chapter On

WritersdontcryTheendFirst paragraphs should always be gripping. Not just of the first page of the first chapter of the first book in a series—the first paragraph of every chapter. They should tempt you to read on, even though it’s past your bedtime. Even though you have to get up early for that meeting/class/cat-wrangling boot camp you signed on for. Even though you just know that if you get to the end of that chapter, you’re going to have to read the next one, too.

But even if that chapter start was the most memorablist, most awesomist chapter start in known creation—and you totally finished the whole book that first night on the strength of that one chapter start—that doesn’t mean every chapter should start that way. Because really? That would be boring, for both the reader and the writer. Especially when there are so many incredibly intriguing, utterly unique, and perfectly practical chapter starts out there just waiting to be plunked onto chapters of their very own.

So, just next time you’re feeling ruttish and looking to start with something a little different, here’s a list of ten of the most common chapter starts out there, along with some of the pros and cons of each. Go ahead and play! It’s just one paragraph, and you never know what you might discover to be the perfect fit.

Action
Narrative Distance:
Medium or Tight

Pros: It’s common wisdom that pulse-pounding action scenes are a good way to grab your reader by the eyelashes and glue them firmly to your book. And when done right, it’s like the epitome of “show don’t tell”—showing us the conflict, the world, and what the characters are like without a single infodump.

Cons: Contrary to popular belief, action—on paper, as in a sequence of active, blood-and-guts words--is not inherently interesting. It can, in fact, even be boring. And it most certainly runs the risk of being disorienting, especially when you have a tight focus. So it’s important to make sure both that your reader knows what’s at stake, and that the scene itself is a creative and arresting display of action and character.

Dialogue
Narrative Distance:
Medium

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