October is here, October is here! With the onslaught of all things pumpkin-flavored (but who can resist?), now is the time to settle down with a good fright. This month, publishers prepare the very be(a)st in spooky reads, and comics are no different. October kicks off with the appropriately titled Batman Noir: The Long Halloween, a gorgeous reissue of a classic Batman tale.
Originally released in single issues in 1996 and 1997, The Long Halloween is a year-long murder mystery set in the early days of Batman’s career. Writer Jeph Loeb manages to weave nearly every main Batman villain into the noir narrative (and then a few lesser-knowns, like Calendar Man, winner of the least-threatening supervillain name ever), along with an origin story for Harvey Dent/Two-Face. The thirteen-issue run grew in such popularity and influence that a sequel, Dark Victory, followed along with a tie-in, Catwoman: When in Rome—and elements can be found in Christopher Nolan’s Dark Knight trilogy. DC Comics keeps the fandom alive by releasing various collected editions over the years (including a spectacular Absolute Edition for hardcore fans).
Now in a new “Noir” hardcover, The Long Halloween comes in a strictly black-and-white presentation—but with letters and dialogue balloons intact. It’s a fascinating study of how a comic looks at the inked stage, and it’s a showcase for Tim Sale’s blow-the-Batcave-wide-open artwork. The opening page features Bruce Wayne drenched in a thick shadow, stating, “I believe in Gotham City,” while his pallor is now a stark white [click left image for a larger version]. Double-page spreads are free from color distraction (no offense to original colorist Gregory Wright), and the reader can obsess over Sale’s line work and his fanaticism for musculature and sweeping Gotham cityscapes.
As I flipped between this and my color edition, I noticed how much thicker Sale’s lines appeared in the new Noir edition, and how much more I lingered over the artwork, as opposed to puzzling through the narrative. It’s a case of less being much, much more—carved like this, The Long Halloween glows.