This weekend variant edition of Graphic Novel Friday arrives with an exclusive interview. Hope everyone had a great July 4th holiday!
Author Max Brooks continues to re-think and refine the zombie phenomenon. From World War Z, the blockbuster novel that led to the blockbuster film, and the follow-up/send-up The Zombie Survival Guide his name is cemented in the zombie canon. This month, he launches a new graphic novel with Avatar Press that takes another wild look at zombies (and vampires!) in The Extinction Parade. Mr. Brooks nicely took time to answer a few questions over email:
Q: You have two new collections out this spring, The Harlem Hellfighters and The Extinction Parade. What’s your comics origin story—what first inspired you in the medium?
Max Brooks: I can’t remember how old I was, but it was a time before the Berlin Wall fell. We used to spend our summers on a little strip of sand off New York called "Fire Island." I fished and swam and rode my bike everywhere, but one thing I didn’t do was read. Being dyslexic, reading was a real chore. And then I found ROM: Spaceknight at the general store and I recognized it from an action figure I had. It was the first king sized annual. I hadn’t intended to read the whole thing, but before I knew it, I was on the last page. That was the first time in my life I’d ever voluntarily read something, ANYTHING cover to cover, and I still own that exact issue.
Q: The Extinction Parade began as a short prose story. What led to its translation into comics? What aspects did you have to re-think when converting it for Avatar Press?
Max Brooks: Converting from prose to comics is no easy task. For one thing, you can’t ignore any information. In prose, I don’t have to describe anything that’s not integral to the story. Out of sight, out of mind. A comic book is visual. The reader sees everything. I have to pay attention to clothes, hair, architecture, every detail I want to be accurate. Because The Extinction Parade takes place in Malaysia, where I’ve never been, I have to use 3D satellite images to show the artist where our characters are and what we, the readers, would see in the background.
Q: The Extinction Parade is filled with storytelling, from character-to-character moments to detailed narration boxes. What is your method of scripting comics? Are you more hands-on or hands-off in terms of page layouts and character designs?