The Amazon editors and writers you read on Omni every day aren't the only ones reading hungrily around here. Today one of our book buyers, Alex Carr, sits in to give us a rundown on the recently released comic, The Umbrella Academy:
There’s a Secret
Invasion going on in the comics industry, but it has nothing to do with Skrulls
or multiple Earths. The once-quiet (and
continuity-heavy) superhero genre is now overrun by celebrities. Buffy
creator Joss Whedon recently finished a twenty-four issue stint on Astonishing
X-Men, The O.C. and Grey’s Anatomy’s Alan Heinberg revamped
Wonder Woman, and bestselling author Brad Meltzer recast
The Justice League of America. With
superhero film adaptations filling the seats at the superplex, comics aren’t
quite as exclusive (or reclusive) anymore.
Gerard Way, the frontman
for My
Chemical Romance, is the latest entry in the name-in-lights trend of comic
writers, as he’s recently published a six issue mini-series for Dark Horse
Comics titled The
Umbrella Academy.
(Cue massive eye
rolling from comics fans)
However, celebrity
be damned, Way does have some legit comic cred.
Comics guru and
industry living legend Grant
Morrison hailed The Umbrella Academy
as “An ultraviolet psychedelic sherbet bomb of wit and ideas. The superheroes
of the 21st century are here at last…” And then, of course, there are the covers by Eisner award-winning artist
James Jean, whose work on Fables
lends a monthly air of sophistication to comic racks. Not to mention that before My Chemical
Romance, Way worked as an intern for DC Comics.
Way begins The
Umbrella Academy by introducing us to a team of seven oddly super-powered children
who battle against a berserk Eiffel Tower manned by a zombie-robot Gustave Eiffel. And it only gets weirder. Just as Way seems to carve a comfortable niche,
the story jumps ahead 20 years, where the children—well, most of them—are now
re-introduced as adults and have split apart.
As the narrative
flashes between the adventures of the children and their reluctant world-saving
adult counterparts, Way’s wit is matched by artwork from Gabriel Ba, whose artwork
on the trippy spy thriller Casanova made
him an easy choice for this series. Ba manages
to make the unbelievable look unbelievably good: angry robots, psychotic
orchestras, kid ninjas, chimpanzee butlers, etc. It has the potential for the bombastic, but
the tight scripting and clean artwork (love those colors by Dave Stewart) allow
for a few quiet beats as well, especially between team leader Spaceboy and The
Rumor (who has possibly the coolest power yet: the power of suggestion).
By the collection’s
end, Way has barely unraveled even a hint of the threads he has in place, but
Dark Horse promises a second series will begin before the end of 2008. Here’s to hoping Gerard Way does quit his day job in favor of more
issues for this dynamic new series.
--Alex Carr