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YA Wednesday: Lauren Oliver--To Play or Not to Play

Panic344Lauren Oliver's new book, Panic, is her first return to realism since her best-selling debut, Before I Fall, and our spotlight pick for the Best Young Adult Book of March. Panic tells the story of Dodge and Heather, two teenagers, caught up in a high stakes rite of passage game (called Panic) played in secret each year in their small, poor town.  As I read, I found myself wondering if I would have entered the competition as a teenager, at what point I would likely have quit, and would I even think about it now.   I asked Oliver her thoughts on this and here's what she had to say about the question of to play or not to play...

My new book, Panic, is about a small, rundown town called Carp, in which a sense of isolation, an almost institutionalized boredom, and the social competition native to every American high school combine in one explosive, legendary game.

I didn't grow up in a rundown town--far from it--but my town was certainly small, and we were certainly bored. We did a lot of stupid things in high school: we drove too fast once we got our licenses, and I resolutely and universally refused to wear‎ my seatbelt, for reasons I no longer remember. We mixed whiskey and vodka and chugged it (not recommended). We scored fake IDs in the city, cut class, smoked cigarettes, and bounced from party to party on weekends, looking for something to do.

I wasn't just an inveterate bad-decision maker, though--that was just a pastime. I was also an excellent, ambitious, and enthusiastic student, nerdy and more than a little insecure, trying to conceal my fears and frustrations beneath an attitude of recklessness and indifference.

Would I have participated in Panic back then? Heck yeah. Because Panic, the game, is about more than resistance to fear; it’s about the promise of escape. ‎And although the kids of Carp have real problems to outrun, they're also (like many teens; like myself, at that age) trying desperately to outrun themselves, to escape their identities, their anxieties, their creeping sense that they've inherited a life that is broken or misshapen in some way. Paradoxically, the reason I was so reckless in high school was because of my fears, not in spite of them.  I was hoping that if I could pretend to be fearless I might not only become fearless, but the very things I feared would never come to materialize.

I'm less afraid now than I was at eighteen, and also far less reckless, though I have a deeply ingrained adventurous streak that now finds expression in activity, travel, and experimenting with new things. I'll be the first to hop on a rock-climbing wall or jump out of a plane, fly across the world armed with just a passport and a sense of fun; sample fried insects (not, like, off the street, but in places where people eat insects)‎ or monkfish liver. I've built a life I love. I'm no longer plagued by the insecurities and fears that used to eat at me constantly, the suspicion that if I let my guard down for a second, everyone would know how weak I really was.

Would I play Panic now?‎ Absolutely not. I'm not running from anything. I don't need money to escape. And I'm lucky enough to say there's really nothing I could win that I don't already have. ---Lauren Oliver

 

Getting to Know Nickolas Butler and "Shotgun Lovesongs" — a Big Spring Books Selection

Shotgun LovesongsShotgun Lovesongs may just be the sleeper hit of the season, so evocative is it of the kind of small town American life we don't get enough of in literature these days. The story of a mill town and four guys who love it, leave it, and come back to it forever changed but still somehow the same, it doesn't just tug at the heartstrings; it lodges itself in the heart. And that's one reason I selected it as my Editors' Pick in our Big Spring Books feature.

I spoke with 34-year-old Nickolas Butler about the setting and character choices he made and how his debut novel has already changed his life. 


Sara Nelson: You grew up in Eau Claire, Wisconsin, which is near the setting of your novel: a fictional town called Little Wing. Are we to assume the book has elements of autobiography?

Nickolas Butler: Well, I think there's a little bit of me in everyone, including Beth [a Little Wing native married to Henry, the seemingly most solid of the four guys.] If I had to describe the book in a nutshell, I'd say it's about friendship and decency and love, and about a place, a very specific place: rural Wisconsin.

SN: I keep describing Leland -- the one who goes off and becomes a famous musician -- as a "Springsteen-esque" character, but apparently you had a younger model, closer to home?

NB: I say that the book was inspired by Justin Vernon [who won the 2012 Best New Artist Grammy as Bon Iver ], but I want to be careful to say I haven't seen him in 18 years. We went to high school together; he was a year younger. But I don't want to make the relationship seem like something that it's not.

The thing is, though, that in Eau Claire, there was just no example for succeeding in the arts before he made it. To have known somebody as a normal human being, a teenager, and then see them experience a wonderful kind of success that you know they worked really, really hard for just gave me a huge amount of confidence to move forward and try to be a writer.

SN: So, are you the most like Leland, then, in that struggle?

NB: I don't know anything about writing music. I'm not musical at all, but I do understand the pressure of hitting a certain place in your life and feeling like, "If I don't make a go of being a writer now, with a kid or two in the family... I'm gonna have to figure something else out." That's why I felt a huge amount of pressure when I was at the Iowa Writers Workshop to make sure I was using my time effectively, to come out of the program with a book that was as good as I could [make it]. Which is basically the same kind of pressure that Leland is feeling when he's recording his first album.

SN: The book is organized around four weddings that bring the friends together. Why did you choose that organizing principle?

NB: What happened was that my wife and I had a two-year period when we were averaging six weddings a summer. I'm not even exaggerating. Weddings were just foremost in my mind. I was going to these weddings. I was sitting in the pews of churches and as a writer/observer, I was thinking about the little dramas and thinking that this would be good for a book somehow.

SN: Throughtout the book, and not just because of the marriages, these four old friends each change and come together and apart a number of times. The novel, in fact, starts with a situation between Leland and his old friend Kip, a scene that could destroy a friendship forever...

NB: When you first see Kip, he starts off, well, as sort of a villain, but then you see that he's trying to become a better human being, but he's just awkward. He's probably like a lot of us. He just doesn't always do the right thing and then realizes what the right thing is, afterwards -- and feels bad about it.

SN: How have your old friends, and the community in Eau Claire, responded to the book?

NB: So far, the reaction has been very positive. Everybody's just really excited. Both my wife and I have these deep connections in the community and people that we knew are just really supportive. I'm really grateful. It's like I just kind of woke up inside my best dream; I can't believe this is happening. It's like I'm 12 years old and I woke up playing 3rd base for the Minnesota Twins.

Guest Essay: Rene Denfeld on Translating Life into Fiction for "The Enchanted"

The Enchanted"Write about what you know," they say. Author Rene Denfeld, who has several nonfiction books to her name, took that advice to heart when writing her powerful debut novel, The Enchanted. Told from the perspective of a death row inmate, the story, in large part, is about the inmate in the next cell and the work of "the Lady," an investigator who is trying to help him avoid execution. Drawing upon her own experiences investigating death penalty cases, Denfeld brings us inside the prison walls, deep into death row, and beyond.

We asked her to tell us about how her own experience influenced her writing, particularly with "the Lady." Here's what she had to say.


The EnchantedNot long ago, I was interviewing a man on death row.

He appeared angry with me, and I asked why. He turned haunted eyes towards me and said, "You brought the outside in."

For decades, he said, he had been trying to forget there was an outside. It was the only way to cope with being locked in a fetid prison cell. Now here I was, smelling of fresh air, with the bloom of winter sun on my cheeks, and he was furious.

I had reminded him of the greatest thing he had lost: hope.

In my job as a death penalty investigator, I spend a lot of time talking to men like this: men in prison cells, waiting for death.

My work is very much like that of the character of the lady in my first novel, The Enchanted. Attorneys hire me to investigate the lives of their clients--men and women facing execution.

Like the lady, I track down long-ago family members, and childhood friends. I find teachers based on pictures in ancient yearbooks. I dig up forgotten records in mildewed file rooms, and often locate witnesses starting with nothing more than a first name.

And most importantly, I spend time with the clients, making a safe place for them to tell me their secrets.

My job is painful and difficult, but I love it, because I get to learn the answers to the most critical question of all --"Why?"

Why are people the way they are? Why do people do such terrible things to each other? Why do some survive bad childhoods, while others succumb to rage and violence?

It fascinates me that for all our focus on crime--the movies, the novels, the television shows--we so seldom dig deep to find out why. We spend a lot of time in our culture telling each other what's wrong with people, but rarely do we stop, and just listen.

Like the lady, I find that most of the people I interview have been waiting a lifetime for someone to listen. Poverty, crime, and abuse have created vast swaths of the population who are silenced. They are our caste of invisibles, unseen and unheard.

Until, sometimes, their actions speak for them--and then it is too late.

For me, listening led to this novel. I listened to the voice of the narrator much as I have learned to listen to the voices of men on death row, their family members, and the families of their victims.

I feel honored to be entrusted with the truths of others, as real and painful and beautiful as they can be. Each secret told is a gift, the chance to truly understand another person.

I have been brought to my knees by the raw courage that can exist in victims and survivors. I've been humbled by the naked humanity of the penitent. Mostly, I've been astounded at the ability to find joy and hope and celebration even in the most despairing of circumstances.

Writing The Enchanted, there were times when I recognized myself in the lady. I also come from a difficult background. Like her, I've used my hardships to make room in my heart for others. But she made it clear that she was her own person, with her own story. She was not me--none of the characters are.

And yet, we share a comon humanity. We all have pain and sorrow. We all share the unquenchable human need to be heard, to be seen, and hopefully, accepted--to find a reason to let the outside in.

National Reading Month: Kate DiCamillo on the Power of Stories

KateDiCamilloMarch is National Reading Month and today is World Read Aloud Day, so we are kicking it off with a guest post from children's book author Kate DiCamillo that brought a lump to my throat (yes, I'm a total sap but don't judge 'til you read it...).

Probably best known for her novels Because of Winn-Dixie and The Tale of Despereaux, DiCamillo has had quite a year already.  At the start of 2014 she was named the new National Ambassador for Young People's Literature, a post voted on by a panel of booksellers, the Children's Book Council, and the Library of Congress.  Then when the Newbery award winners were announced at the end of January, DiCamillo took home the medal for Flora & Ulysses (an Amazon Best Children's Book of 2013), marking her third time as a Newbery recipient (she won the medal for Tales of Despereaux in 2004 and an honor for Because of Winn-Dixie in 2001).  DiCamillo is a powerhouse advocate for reading and getting books into the hands of children and, as you'll see in her post below, she does it with immense grace, gratitude, and always a touch of humor.

When I was nine years old, my mother checked Beverly Cleary’s Ribsy out of the public library, and read the book aloud to my brother and me.  We read a few chapters of the story every night.  The three of us sat side by side on the flowered sectional couch in the Florida room.  The Florida room had orange shag carpet.  Its walls were paneled in cypress, and we could see Lake Minnehaha from the large bank of windows that faced south.

On the floor, stretched out parallel to the couch, was our dog Nanette.  Nanette’s flank rose and fell as my mother read, and the dog would raise her head off the floor and look at us every time we laughed. 

We laughed a lot. 

Ribsy is a funny book.

There was a lamp by the couch.  And as the darkness outside grew darker, as the lake disappeared into the sky, as more of the story got told, the light by the couch seemed to grow brighter.

We were a pack of four: my mother, my brother, the dog and me.  In the book, Ribsy the dog was lost.  But we were all safe inside.  We were together.

That was over four decades ago.

Nanette is gone and my mother is gone.  My brother and I live far away from each other. 

But every time I see the cover of that book, every time I see a picture of Ribsy, I am transported back to that time, to that cypress-paneled room, to the flowered couch, to the lamp and the laughter and the safety.

Reading together is a very particular kind of magic.

When I meet teachers and librarians who tell me that they read aloud to their classrooms, I always try to make a point of thanking them.

Reading a story together brings us together: large groups, small groups, packs of four and packs of two.  When we read together, we come in from the darkness, the cold.

It occurs to me as I write these words, as I remember the darkness outside that room in Florida, that I never explicitly thanked my mother for reading to us.

So, I will thank her here, now, in the best way I can, by encouraging other people to do what she did for me, and for my brother.

I will ask you to read aloud to your students, your children.  Read aloud to your husband, your wife.  Read aloud to your dog.

Push back the darkness.

Sit down beside somebody you love. 

Turn on a light.  Open a book.

--Kate DiCamillo

For more on Kate DiCamillo, you can check out our Omni interview with her about Flora & Ulysses (before it won the Newbery) and here are *some* of her books:

FloraUlysses160 Winn-Dixie MagiciansElephantTaleDespereaux160 EdwardTulane BinkGollie160

    MercyWatson160 LouiseChicken160 MercyWatsonPrincess160TigerRising160

Peter Liney Dissects "The Detainee"—a Big Spring Books Selection

The DetaineeThe book I'm most excited about this spring, and therefore my selection for the Big Spring Books Editors' Picks, is The Detainee, the debut novel by British author Peter Liney. From the moment I read the book's description months ago, I was antsy to get my hands on this one. And once I read the first page, I didn't put it down until I'd turned the last --literally. It's the story of a 60-something man named "Big Guy" Clancy. He used to be a tough guy for the mob, but now he's just another aging prisoner on an island where society ships all of its garbage, including the elderly and the infirm. Kept in line by satellites armed to kill at any sign of attempted escape or violence, Clancy and his neighbors are in constant danger whenever the fog rolls in; that's when the satellites malfunction and island's other residents get their violent kicks.

The island felt so vivid to me, and Clancy was such an unusual choice for a hero. I asked Liney to tell us more about where the idea for the island came from, a little more about this old man through whose eyes we see the story unfold, as well as the socio-political concerns that provided the author's own underlying motivation to write this book. Here's what he had to say.


One day, while on a trip to New York City, I ran across a remarkable exhibition at the Public Library on garbage, more precisely, the massive landfill on Staten Island. Most of the people there weren’t terribly interested; they gave it a quick glance and hurried by in search of more exciting things. I stood there with a big smile on my face. I didn't actually shout "Eureka!", but the sentiment was written across my face for all to see.

I saw this huge island of garbage, where all those who society regards as disposable, who can no longer support themselves—the old, the sick, unwanted children, hardened young criminals who have no one willing to pay for their incarceration, etc. -- are shipped out and told they're taking part in the Island Rehabilitation Program, a new chance at life, when in fact they're to be prisoners, enduring the most squalid and terrifying existence, unable to escape because of the constant threat of immediate death.

Now I had my setting and situation; where was my hero? What manner of person could cope with all this and prevail? Clancy was a professional "big guy" with a lifetime of crime behind him. Just for him to be seen walking the streets was enough to enforce the rule of his master. But as I said, no one useful gets sent out to the Island. No matter how much he hates it, the truth is, Clancy is old: his muscles have started to sag and lose their strength, and as years have passed on the Island, he's become a grouchy and reclusive figure that most people wish to avoid.

Some of the ideas I used for The Detainee have been jangling around in my head for years -- like a set of keys in my pocket whose purpose I had long forgotten. Several of these ideas weren't so much ideas as they were concerns. With the advances in healthcare, greater life expectancy, and a falling birth-rate, populations of the developed nations are getting much older. And suddenly, there are more elderly people than young, causing a strain on social services and healthcare for the aging population.

Another thing that was troubling me was why was I living in one of the most monitored societies on Earth? A place where cameras are constantly spying on me. Big Brother, Big Sister, Big Momma—they're all out there the moment I open my front door. Where am I talking about? North Korea? Russia, perhaps? Somewhere under the rule of some crazed dictator? Actually, it's the United Kingdom. You can spend practically your whole day being spied upon by one camera or another. They tell us they're there to safeguard us. Which is food for thought. What if they aren't there to protect us? What if they are really there to protect a certain status quo in the government's power? Exactly how far would they be prepared to go to maintain this status quo? Possibly as far as the hellish world of The Detainee?

It sounds grim -- it is grim, I know -- but if I had to use only one word to describe the theme of The Detainee it would be hope. More than anything, I wanted to write a book about the fact that we humans thrive on hope; that like those seeds that lie in the desert, year after year, with nothing to sustain them, then with just a drop of rainwater they bloom into the most spectacular of flowers. Clancy's the same. He's living in a desert—a pitiless, God-forsaken, garbage-strewn wasteland; yet one day he happens upon someone who inspires him and gives him hope. He's ready to fight back.

2014 Newbery Honor Winner: Kevin Henkes on "The Year of Billy Miller"

YrBillyMiller300I'm fascinated by watching illustrators draw, and award-winning author/illustrator Kevin Henkes graciously agreed to have a chat about The Year of Billy Miller (one of our Best Children's Books of 2013) AND draw one his most beloved characters, Lilly (Lilly's Purple Plastic Purse, among others) on camera when we met up at Book Expo America.  

When I say that Henkes is an award-winning author, I don't mean it lightly--he's won the Caldecott Medal for Kitten's First Full Moon, a Caldecott Honor for Owen, a Newbery Honor for his middle grade novel, Olive's Ocean, and this year he took home two awards: a Newbery Honor for his latest book, The Year of Billy Miller and a Geisel Honor for Penny and Her Marble, the third book in his new beginning reader series.  Henkes is truly a jewel of the children's book world, and a delightful, down-to-earth guy who was really fun to meet and talk to.  We chatted about how he decides which format to write next, where the story for Billy Miller came from in his own life, and about the fact that he's never had a main character that was a dog.  You can watch him draw in the first video below, and the second is our conversation before and after.

 

 

 

She and We: Behind "On Such a Full Sea" with Author Chang-rae Lee

On Such a Full SeaChang-rae Lee is intrigued by his audience lately. The award-winning author of five novels has attended countless readings and book signings; he's familiar with who his readers are, and vice versa. Or so he thought. On the road promoting his latest book, On Such a Full Sea, he's seen a shift in who's showing up to the bookstores. His fans are skewing much younger than normal, and half of them, he says, are new to his work.

Promotion could be a reason, he proffers -- a review in a newspaper, a spot on NPR, or even a bookseller's recommendation. But of the many theories he has for the shift, he thinks it could simply be that the nature of the book -- a dark, yet hope-filled story about a young girl venturing forth alone into a dystopian America -- is appealing to young readers. In fact, though he is clear that he didn't write On Such a Full Sea specifically for his two teenage daughters (clarifying emphatically that it is "not YA"), he did intentionally try to keep it within their realm of possibility.

"My other books are very psychologically excruciating," he says with an easy-going laugh. "I mean they're really detailed, they go very deep into the consciousness of the characters. My daughters are teens, and I wanted them to be able to read the book, to engage with the character in quite a different way, identify with the character rather than have to 'understand the character.'"

A petite 16-year-old, skilled in her work and seemingly content in her life, Fan is motivated to leave her labor settlement, B-Mor, after her boyfriend suddenly disappears. The decision is unheard of; the wilds of the counties are daunting. And so we hear of her journey beyond the safety of the gates, coming to know her as compelling and complex, mature beyond her years yet innocent to the dangers of the world, an inspiration and a cautionary tale, an example from which to better understand ourselves.

Nevertheless, as orchestrated by the author, trying to actually understand Fan is not the point.

"I don't really go into all of Fan's thoughts, I'm not interested in that. What I am interested in is her as a kind of almost pre-modern elemental hero. You know, with modernism we get all of this psychology, right? I mean, that's what we understood after Flaubert and Joyce," Lee says, the Princeton professor in him shining through. "But I wanted to have a hero who was more, at least in the minds of the people viewing her, an iconic hero who would be and act more than say and lead."

This focus on a single (and singular) character wasn't the book Lee initially planned to write. For him, it was a story about the lives of factory workers in China's Pearl River Delta -- "their lives, their work, the geopolitical and socio-economic forces around them." But he soon realized that a key element was missing, though the reporting appealed to him.

"I think to write a novel you have to feel not just that you know the material, which I did, but also that there's still a mystery about it," he says. "And that can be a character, that can be a formal consideration, that can be a lot of things, but I just didn't quite have whatever it was."

Continue reading "She and We: Behind "On Such a Full Sea" with Author Chang-rae Lee" »

YA Wednesday: Andrew Smith on "Grasshopper Jungle"

Grasshopper200I loved Andrew Smith's 2013 book, Winger, and the same goes for his latest, Grasshopper Jungle, our Teen & Young Adult spotlight pick for February

This is not the sort of book you meander through--it is 432 pages of one of the wildest, most outlandishly original stories I've read in a very long time. The raw honesty of 16-year-old narrator Austin Szerba's f-bomb dropping, sex obsessed voice made anything--and everything--in this book seem possible.  

Smith was in Seattle recently, and we chatted about Grasshopper Jungle, his influences, some of this favorite books (including Breakfast of Champions), and his bout with invisibility that seems to be coming to an end.  It's all here in this exclusive video:

 

Amazon Asks: Daniel Suarez, Author of "Influx"

InfluxNot to be too cinematically cliché about it, but imagine a world... one in which your wish list of futuresque inventions actually existed. Imagine now that an organization has suppressed the items on your list, hidden them away so that nobody knows they're really possible. Worse yet, imagine you're the one who invented something world-changing.

That's the sort of position into which author Daniel Suarez puts his genius scientist Jon Grady. Told that "Some technologies are too dangerous to be allowed to spread on their own," Grady is suddenly privy to the fact that advances in fusion, gravity, genetics -- countless examples of scientific progress -- have been made and kept secret. Given the choice to join or be jailed, our hero declines the invitation. Perfectly balancing science, fiction, and thriller, Influx is an intense and engaging sum of its parts.

If you're familiar with Suarez’s bio, you know it's an understatement to call his technological background impressive. We wanted to find out more about him beyond his expertise. Here he tells us about the book report a former lit teacher has reason to be angry about, one way Kurt Vonnegut was ahead of his time, which future inventions he’s most looking forward to, and more.


What's the elevator pitch for your book?

Daniel Suarez A brilliant young scientist develops a technology that can reflect gravity. It's a breakthrough that could transform society as we know it. But instead of receiving widespread acclaim, he's taken prisoner by a secretive organization that covers up his work. It turns out the human race is more technologically advanced than commonly believed. Disruptive innovations like fusion and artificial intelligence are being concealed to 'prevent social and economic upheaval.' But keeping a 21st century Einstein imprisoned is harder than it sounds...

What's on your nightstand/bedside table/Kindle?

Alain de Botton's The Pleasures and Sorrows of Work -- it's beautiful, insightful, and fascinating all at once.

Top 3-5 favorite books of all time?

This is almost impossible to answer because there are so many, but at this moment:

(and a thousand more...)

Important book you never read?

Wuthering Heights (what's the statute of limitations on falsely submitting a book report?)

Book that changed your life or book that made you want to become a writer?

Player Piano by Kurt Vonnegut. I read this while still in grammar school, and then reread it several times throughout high school and college. The premise: that technology would advance to the point where most humans no longer needed to work--and that this would rob life of its meaning. That was counter-intuitive to me at the time, and I was endlessly fascinated by such a thought-provoking fiction. Up until then I'd read plenty of science fiction but those stories were usually far into the future. This one stayed with me, and still does to this day. Incidentally, we're seeing shades of Player Piano becoming reality as robotics and automation expands in society. I'd say Vonnegut was on to something way back then...

What's your most memorable author moment?

The first time I saw a stranger reading one of my books in a public place.

Preferred reading format: print? digital?

I prefer print because books on shelves often spark conversations and their spines tell a story about who I am. However, I'll still buy digital versions if I'm traveling. Nothing beats the portability of digital.

What talent or superpower would you like to have (not including flight or invisibility)?

I would like to possess profound mastery of a musical instrument such as the piano or guitar. Music has so often transported me and inspired my writing. I can only wonder what it would be like to have the talent to create and play music for others. Alas, I don't seem to have the patience or the knack, and I suppose knowing this has spared others much suffering -- particularly my cats.

What are you obsessed with now?

I'm really digging "True Detective" on HBO. The writing is sharp and the cinematography evocative, the performances powerful. Did HBO make a deal with the devil somewhere along the way? They're just about the only reason I still have cable.

What are you stressed about now?

I'm stressed about this question... :)

What are you psyched about now?

Clearly I'm psyched about my new book, Influx. The launch of a new book is always exciting, and I often ponder the new people I'll meet as a result of my book entering the world. Books are like that; they go places that are hard to anticipate, and then some time in the future someone will contact me and say, 'Hey, I read your book, X, and I just wanted to reach out to you...' I have met innumerable fascinating people because of my writing -- and that, in turn, leads to ideas for new books.

What's your most prized/treasured possession?

My memories of loved ones. That might sound glib, but as the years go by, there are less and less physical possessions I treasure, and more people whose company I miss. I'm by no means old, but both time and distance work against us here.

What 3 pieces of technology can you not live without? 

  • The Wheel
  • Mastery of Fire
  • Wet Wipes

What 3 future inventions are you most looking forward to? 

  • Fusion
  • Warp drive
  • Perfect interpersonal communication (mind-meld).

That third invention will be necessary to keep humanity from wiping itself out with the other two inventions.

Author crush - who's your current author crush?

Recency is a big factor here, since I'm most enamored of things I've liked most recently. That would mean Alain de Botton (currently on my nightstand).

Pen Envy - Book you wish you'd written?

George Orwell's 1984. The relevance of this book to our times is astounding, and unfortunately, I think it's only going to become more prescient.

What's the last dream you remember?

It involved an ambulatory butter squash being chased by a wood chipper...

What's favorite method of procrastination? Temptation? Vice?

The Internet. What makes it so insidious is that it's also the perfect research tool for authors. So I'll start a book project by doing focused research, and the next time I look up, it's February...

What do you collect?

I seldom throw away tech gadgets -- phones and laptops in particular. I've got a mini museum of every device I've ever used, and it's interesting to see their evolution. For instance, going through the layers of laptops, one can see that for the longest time I was striving to obtain the largest screen -- so the machines kept getting wider and deeper. Then at some point I valued portability more, and they started getting smaller. Also, somewhere along the way phones got as fragile as Tiffany glass--quite a few broken. But I've got an old Mitsubishi phone the size and shape of a brick that you could drive nails with. If I could find the charger, I bet it would still work.

Best piece of fan mail you ever got?

A reader once wrote me to say that my books had gotten him through the darkest period of his life, when he didn't have a friend, and couldn't see any reason for continuing. And eventually he worked through his problems and just wanted to thank me for being there for him. I keep a print out of his email on my office wall. Strangely, whenever I feel my writing is pointless, he now gives *me* encouragement.

Favorite line in a book?

"Every time a book changes hands, every time someone runs their eyes down its pages, its spirit grows and strengthens." -- The Shadow of the Wind by Carlos Ruiz Zafón

What's next for you?

Of course, another book. I'm always writing or doing research because there is nothing like the feeling of finishing a book--and then soon enough you want to start all over again.

How Do I Love Thee? 150 Ways...

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When we think of February, love frequently comes to mind--and let's face it, for better or worse this four letter word is probably one of the most enchanting, infuriating, and exciting subjects to read about.  From stories of an idyllic marriage gone terribly wrong to mortals falling for immortal lovers, or the flush of crazy, passionate, first love, romance has always captivated readers and writers alike.  Where would Shakespeare be without Romeo and Juliet?  Or Hollywood without its larger-than-life affairs of the heart, often adapted from beloved novels?

Whether you like classic romance or stories of love gone wrong, we decided this month was the perfect time to look at some of our favorite novels of amour.  To that end, we chose 150 love stories in a dozen flavors—our own box of chocolates for the mind and heart, if you will.  The Beatles say, “all you need is love.” But maybe all you need is a good love story. 

Check out our hand-picked treats in:

 

Omnivoracious™ Contributors

April 2014

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