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Where I Wrote It: John Twelve Hawks, on Writing his New Novel, "Spark"

Readers of Omnivoracious may be familiar with our "How I Wrote It" Q-&-A series, in which we ask authors to describe the writing of their book (including questions about their work space, their tools, their fuel--you can read them here). In "Where I Wrote It," we'll be asking authors to share photographs of their desk or office, along with a brief description of that space and what role it played in the creation of their book. Our thanks to John Twelve Hawks, whose new novel, Spark, is a Best of the Month pick in mystery, thriller, and suspense.

John12Hawks

In our Digital Age, it's almost impossible to live "off the grid." But we can find places of refuge where we know that our thoughts are our own.

The first draft of my new novel, SPARK, was written at a friend's house in rural Ireland.

Every morning, I would sit at the kitchen table near the cast iron stove, drinking strong tea while I gazed out the window at a green world. Everything seemed possible at that moment, and words streamed in with the sunlight.

Spark2  --John Twelve Hawks

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[Note: John Twelve Hawks, a pseudonym, is famously, elusively anonymous. Here's a portion of a note he posted on his Random House-hosted website, announcing the publication of SPARK: "Contrary to Internet rumors, I am not dead or in prison. I do move around a great deal and live in London, rural Ireland and New York City."]

Lawyers, Guns, and Money: Best Mysteries & Thrillers of the Month

GrishamI've always thought Warren Zevon's "Lawyers, Guns, and Money" sounded like the setup to a Graham Greene novel: I was gambling in Havana / I took a little risk ... I'm the innocent bystander / Somehow I got stuck / Between the rock and the hard place / And I'm down on my luck ... Now I'm hiding in Honduras / I'm a desperate man." In the spirit of desperate, hardluck gamblers,here's a roundup of the lawyers, guns, and money found among our editors' picks for October's best mysteries and thrillers.

Lawyers

Gray Mountain, by John Grisham

When Samantha Kofer's New York law firm downsizes her, she reluctantly heads to rural Virginia to work for a legal aid clinic, where she confronts the ecological tragedy known as mountaintop removal. Turns out Big Coal and its thugs will do anything to protect it's black gold. Even murder.

Bones Never Lie, by Kathy Reichs

Two murders and a kidnapped child pull forensic anthropologist Temperance Brennan into Charlotte NC's Cold Case Unit, and back to a disturbing case from her past: a psychopathic murderer who eluded capture years ago but now seems to have resurfaced.

PloughmenGuns

The Ploughmen, by Kim Zupan

In this magnificently dark and graceful debut, a 77-year-old contract killer awaiting trial gets talking with the young deputy assigned to guard him, the two men sharing cigarettes and stories and developing an uneasy bond. In a style that's both menacing and moving, Zupan writes with a restrained beauty, whether he's decribing Montana's plains or a gunshot in the back.  

Spark, by John Twelve Hawks

Jacob Underwood is a professional assassin who kills on behalf of multinational corporations. He also suffers from a neurological condition that allows him to do his job without remorse or emotion. That is, until he's assigned to kill a female colleague who's disappeared.

Money

Sometimes the Wolf, by Urban Waite

WolfTwelve years after being sent to prison on drug charges, ex-Sheriff Patrick Drake is released on parole, into the hands of his son, Bobby, now a deputy in father's old department. When two very bad dudes show up in the Pacific Northwest town of Silver Lake looking for cash they believe Drake hid before going to prison, Waite unfurls a dark and violent tale that's equal parts Cormac McCarthy and Elmore Leonard.

A Sudden Light, Garth Stein

While not technically a mystery-thriller, Stein's novel of a dysfunctional old-money timber family is packed with mystery--and ghosts. A father has brought his 14-year-old son to the crumbling family mansion outside Seattle, in hopes of convincing his father to sell to developers. Instead, the boy discovers family secrets that might just save them all.

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More great mystery-thrillers: Parted

Last Winter We Parted, Fuminori Nakamura

The Boy Who Drew Monsters, by Keith Donahue

The Life We Bury, by Allen Eskens

The Girl Next Door, by Ruth Rendell

You, by Carolyn Kepnes

Cobra, by Deon Meyer

Brood, by Chase Novak

Tunnel Vision, by Aric Davis

A Love Story Complicated by a Crime: “The Paying Guests” by Sarah Waters

I received a somewhat disturbing text from a friend the other afternoon. She was running late for work Paying_guestsbecause she couldn't put a book down that I'd recently leant her. "How can I go? I must read on!" "But, the children!" I cried. She is a nanny, you see, so while I could relate to her plight--I had spent a rare sunny day in Seattle, indoors, eschewing some much needed vitamin D reading the very same book--I didn't have children to keep alive. Such are the perils when one picks up The Paying Guests by Sarah Waters. So readers, clear your calendars.

I had the pleasure of sitting down with Ms. Waters recently, on a not-so-rare rainy day in Seattle, to talk about this historical page-turner, set during a "politically untidy" time that has many parallels to our own. 

The story takes place in 1922 in suburban South London. WWI has ended and ex-soldiers are roaming the streets, unemployed and uncertain about the future. In a once grand and genteel house, Frances Wray--a spinster with a surprising past--lives with her mother.  "They've lost their men to war, and they've lost income and servants, and so they've had to bring in lodgers to make ends meet, and they are Leonard and Lilian Barber, the paying guests of the title. Francis is at first appalled by their gaudy furniture and bothered by the sound of them moving about upstairs, but finds herself increasingly drawn to Lilian. So the novel is the story of their affair and the sort of dramatic and really violent and alarming consequences that it has for everybody involved."

The novel was inspired, in part, by an actual murder case from that time--a case that had a "classic triangle at [its] heart--a wife, a husband, and a male lover. And, I began to think what it would be like if the lover was female--what that would do to the story, how it would touch on other issues in the period." With this germ of an idea, Waters began researching similar cases in earnest. "I was struck when I looked at those murder cases--and I looked at lots of other murder cases from the period. They did tend to feature ordinary people who by some sort of mistake, by a moment of madness, were plunged into nightmare and into disaster and ultimately towards some sort of violent death. And I was very struck by the fact that people in murder cases like that, they don't know what's coming...In the months, weeks, days leading up to the murder, they were just leading their ordinary lives."

Waters is known for plotting-out most of her books ahead of time, but she admits that she was knee-deep in the writing process before realizing that--despite the murder and the mayhem--the book is mainly a love story.  "I really was sort of rooting for Frances and Lilian but very conscious that their love came at a cost...Once I'd realized, though, that that was kind of the trajectory of the book--that it was based on their love--the book came together for me more smoothly. And then it became a novel very much about how their love is put under pressure, how it's tested by this dramatic incident, and the moral complexity of the events that follow."

Sound a bit dark? Fortunately, as fans of other Waters’s novels like Tipping the Velvet and Fingersmith can attest, she has a knack for humanizing her characters with pitch-perfect humor for the period that also resonates with a modern audience. "Often humor is so specific to its moment that it doesn't date well. There's nothing worse than, sort of, terrible comics movies from the 20s, for example...The best of them last but they just seem incredibly tiresome now as no doubt our movies will in another hundred years. So, it's trying to find humor that belongs, feels like it belongs to the period and yet still seems kind of funny to us. That’s quite a challenge...We do need to get beyond those static black and white pictures of the past and remember that people live their lives in color, and with laughter, as well as with tears and sternness. The whole range, that's how you bring the past to life."

The Paying Guests was a Best of the Month selection for September.

How I Wrote It: James Ellroy, on WWII and His Second LA Quartet

PerfidiaThe “enormity” of December 7, 1941 still resonates for James Ellroy. It's an event that rippled through his home city of Los Angeles and is now at the core of his new novel, which uses the Pearl Harbor bombing as the trigger point for a cascading series of interconnected lives and storylines, exploring politics, race, sex, corruption and more.

Perfidia is the first book in a planned quartet--Ellroy calls it his Second L.A. Quartet--a prelude to the first quartet, which included The Black Dahlia, The Big Nowhere, L.A. Confidential, and White Jazz.

Ellroy's goal was to write a big novel about “big internal conflict, big murder cases, juxtaposed against history,” in particular the resulting internment of Japanese immigrants. In his well-known bombastic fashion, he called Perfidia “the secret human infrastructure of enormous public events. It’s Ellroy’s Ragtime.”

The Japanese internment “was racial animus writ very large,” he said, citing the lack of internment for Italian or German immigrants.

Perfidia brings back fictional and real life characters from the first Quartet, Ellroy said, and puts them “in the cauldron of World War II ... Perfidia marks the chronological beginning of my life’s work.”

As with his previous books, the low-tech author wrote Perfidia longhand in ballpoint pen.

We spoke with Ellroy earlier this summer in New York. Perfidia goes on sale today.

Ink in the Veins: Books by Newspaper Reporters

SimonFrom 1997 to 2002, I worked as a reporter at the Baltimore Sun, capping a fifteen-year stretch in newspapers. One thing I loved about the job was getting paid to tell a story every single day, and to read great stories by writers I admired: crime stories, courtroom dramas, political intrigue, heartwarming features, longform investigations, profiles, and even the obits--I’m still a sucker for the well-crafted summary of a well-played life.

At the Sun, I had the privilege of working alongside an exceptional group of writers, from Pulitzer Prize winners to aspiring novelists. And in the years since, I’ve watched many of them transition from daily journalism into books. Leading the way at the Sun was David Simon, who, before going on to produce The Wire and Treme, was a helluva reporter who wrote two classics of immersive, journalistic nonfiction: Homicide: A Year on the Killing Streets and The Corner: A Year in the Life of an Inner-City Neighborhood (both of which became television shows).

Simon is now married to one of my favorite writers, novelist and Baltimore Sun alum Laura Lippman, who told me by email that her success as an author “is rooted in the good habits I learned at The Sun and other newspapers.”

"Reporters in general are well-suited to publishing," Lippman said. "Deadlines, a commitment to clean copy--they're second nature to most of us. Or should be."

BobTwo of Amazon’s recent Best Books of the Month were penned by former Baltimore Sun colleagues: Bob Timberg’s amazing memoir, Blue-Eyed Boy, about his recovery from horrific injuries sustained in the Vietnam War--and his decision to become a journalist despite his disfiguring wounds; and Dan Fesperman’s timely thriller about drone warfare, Unmanned.

This two-fer from Baltimore comes on the heals of other books by Sun alumni: Cheryl Tan's recent Singapore Noir, David Folkenflik's Murdoch's World, and the latest from Sarah PekkanenThe Best of Us. Coming this fall is a memoir by David Greene (now at NPR), which will find a spot on my shelf beside other books by Sun reporters, former and current, including: Del Wilber, Sujata Massey, Stephen Hunter, Robert Ruby, Scott HighamScott Shane, Raffael AlvarezJim Haner, Fraser Smith, an Tom Waldron. (An honorable mention to Brigid Schulte, Washington Post reporter/author and wife of Sun alum Tom Bowman, now NPR's Pentagon correspondent. And Lippman pointed out that Russell Baker, William Manchester, and Anthony Lukas worked at the Sun or Evening Sun, too.)

DanI asked Fesperman for his thoughts on reporters becoming authors. “By the time I quit newspapers for good I was writing a lot of long-form narrative stories, which meant I had to set scenes, present characters and even develop a sense of pacing, dramatic tension, and so on. All of that was great practice," he told me. "But I think the most underrated skill you develop as a journalist is learning to be a careful observer and a good listener, even an eavesdropper at times.”

Of course, the Sun is hardly alone in employing reporters who also write great fiction or nonfiction. During my years as a journalist (in New Jersey, Virginia, Florida, Philadelphia, and Baltimore) I collected plenty of books by colleagues. I spent my first year after college sitting across from mob writer George Anastasia, at the Philadelphia Inquirer. More recent reporter-turned-author colleagues include Doug Most, Michael Hudson, and Beth Macy, who I recently interviewed about her bestselling book, Factory Man

We’re writers, after all. We tell stories. And most of the journalists I’ve known have yearned, at least now and then, to break free from the confines of the daily paper. Still, it's always seemed to me that the Sun in particular was a fertile breeding ground for authors.

LauraLippman agreed... "I've always thought there must be a reason that so many Sun reporters (my father included) wrote books 'on the side'," she said. "Part of it, I think, was that some people got to The Sun and didn't really have a burning desire to go further in newspapers. It was a good paper in a good news town. So if you removed the usual ambition of onward and upward through the newspaper hierarchy, I think it freed up one's ambitions to pursue other things. Novels, in my case."

In Lippman's case--and in mine--she got an unintended boost from the Sun toward writing novels. "I've always been grateful that I had a falling-out with the powers-that-be there because it forced me to choose books over newspapers, and that turned out to be a good choice for me,"  she said.

(Disclosure: When I started researching my first book, an angry editor told me it wasn’t possible to write a book and still be a good reporter. And I thought: but wait... David Simon? Bob Woodward? I soon left the Sun and started writing books full time, which may partly explain my devotion to books by writers with beats and bylines in their past.)

 

Smoking Gun: 5 Crime Novels Elmore Leonard Might Have Loved

LeonardA year ago, we lost a legend of American crime and suspense writing.

Elmore Leonard died on this day at the age of 87, after a six-decade career that produced dozens of crime novels, westerns, and short stories, many of which found their way to big and small screens (Get Shorty, Out of Sight, Justified).

Today is also the birthday of H.P. Lovecraft, whose posthumously-celebrated pulp and horror stories inspired such writers as Stephen King and Joyce Carol Oates, who once credited Lovecraft with having "an incalculable influence on succeeding generations of writers of horror fiction."

In honor of Leonard and Lovecraft, here’s a look at some recent and upcoming books that both men might’ve appreciated--menacing, suspenseful, and smart, with tough-talking characters both flawed and hardened, set in not-so-friendly locales, from dive bars to mob hangouts, rural cabins to reservations, from the Deep South to Duluth.

Kent

Windigo Island, William Kent Krueger

Two teenage girls disappear from an Ojibwe reservation called Bad Bluff. When one of them washes up dead on the shore of Lake Superior, former sheriff turned private investigator Cork O’Connor vows to find the other girl. His search takes him to dark places and in the path of some very bad men.

Quake

Brainquake, Samuel Fuller

B-movie director Fuller, who died in 1997, left behind this pulpy, violent, throwback of a novel about a "bagman," Paul Page, who's paid to transport cash for the mob. He also has a rare brain disorder that causes seizures. When he witnesses the murder of a gorgeous mob wife, well... think Tarantino.

Cain

One Kick, Chelsea Cain

As a child, Kick Lannigan had been kidnapped and held captive for five years. Now, at age twenty-one, she's a kick-ass investigator trained in guns, explosives, and martial arts (think Lisbeth Sander)--and the obvious choice for a wealthy arms dealer who needs help finding children who have been abducted.

Ace

The Forsaken, Ace Atkins

In Jericho, Mississippi, flawed but earnest county sheriff Quinn Colson sets out to prove that the nameless black man who 36 years earlier had been accused of rape and murder, who was hunted down by a self-appointed posse and lynched, was innocent. But is Colson as innocent as he seems?

Girl

The Good Girl, Mary Kubica

Mia Dennett, a young inner-city art teacher, leaves a bar with a handsome, smooth talking stranger. Instead of a one-night stand, Mia finds herself in a rural Minnesota cabin, the victim of a kidnapping gone awry, regretting the biggest mistake of her life and hoping her wealthy family can find her.

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40And don't miss the latest from Dean Koontz (The City); C.J. Box (Shots Fired); Tim Weaver (Never Coming Back); and an excellent new thriller by Dwayne Alexander Smith (Forty Acres).

And here are six more Leonard-esque novels, coming soon:

 

Michael Koryta, on his "Warped and Twisted Mind"

KorytaHe might seem like a nice enough guy. A clean-cut young college professor type or the guy who coaches your kid’s t-ball team. But Michael Koryta possesses a self-proclaimed "warped and twisted mind" that's capable of creating some very creepy characters and some very brutal scenes, which help make his new novel, Those Who Wish Me Dead, his best yet.

The story of a boy on the run from two assassins--and a wildfire--this is Koryta's tenth novel, which seems impossible for a guy who probably still gets carded buying beer. In this interview, taped at last month’s Book Expo America in New York, Koryta and I discussed his mentors and idols (names like Connelly, Lehane, and Koontz), his next book (it starts with a corpse in a cave) and, of course, his deceptively twisted mind. Despite the boy scout looks, Koryta seems to keep getting darker, more curious about the nature of menace in the world, and, therefore, better.

Those Who Wish Me Dead is an Amazon Editors’ Summer Reading pick and a Best Book of the Month in mystery, thriller and suspense.

 

Author-Lawyer Alafair Burke's Favorite "Lawyers are People Too" Books

Our thanks to Alafair Burke for sharing her thoughts on the best and worst ("hearsay!") of legal thrillers and courtroom drama. Burke's latest novel is All Day and a Night, which again features her NYPD Detective Ellie Hatcher. Megan Abbott (The Fever) called it “A masterfully plotted, psychologically complex thriller."

As a former Deputy District Attorney in Portland, Burke knows a thing or two about the law; she now teaches at Hofstra Law School. (And as the daughter of James Lee Burke, she also knows a thing or two about the written word). Burke's next project is a first-ever collaboration with Mary Higgins Clark. Their co-authored novel, The Cinderella Murder, is coming in November.

Alafair2
In 2004, a major editor at a major publisher told me, “Legal thrillers are out.” Having just published my first two novels, both featuring Portland Deputy District Attorney Samantha Kincaid, I desperately needed this death announcement to be premature.Alafair

Fast-forward ten years, and books featuring lawyers are thriving. Perhaps not coincidentally, publishers have also found a way to market books about lawyers without pigeonholing them as “legal thrillers” or “courtroom dramas.”

I first started fantasizing about writing a novel because of my frustration at the portrayal of attorneys in fiction, especially crime fiction. I was a huge fan of the genre, but found myself wanting to throw books across the room when attorneys arrived on the page, yelling “hearsay!” and “calls for speculation!” Evidentiary objections, jury selection, and cross-examinations might be real goose bump inducers compared to the average lawyer’s workday, but as ingredients for a page-turner? No, thank you.

In real life, few lawyers go to court. They delve into families, negotiating pre-nups, adoptions, and divorces. They merge and separate corporate entities. Even litigators spend a small percentage of their time in court. The vast majority of cases settle, which only happens after lawyers gather evidence, question witnesses, scour documents, and play chicken with their adversaries.

Michael Connelly understood this when he endorsed my debut novel by saying, “JUDGMENT CALLS expertly shows that the most gripping drama is not found in the courtroom but in the places where choices get made in the shadows cast by politics and corruption and human desires.”

FirmIn other words, when lawyers narrate a story, it’s still just a story, because lawyers are people too.  Here are a few of my favorite books that show the real lives of lawyers, outside the courtroom.

The Firm, John Grisham

Though Grisham’s A Time To Kill is one of the best courtroom novels I’ve read, The Firm captures an altogether different world, expertly portraying the pressures placed upon a junior associate at an elite law firm.

Presumed Innocent, by Scott Turow

Turning the genre on its head, Turow tells the story of a career prosecutor charged with murder. He also masters the use of a (possibly?) unreliable narrator. If you’re a fan of crime fiction, read this back-to-back with Gillian Flynn’s Gone Girl and draw the parallels.

TurowThe Alexandra Cooper series, by Linda Fairstein (The most recent installment: Terminal City)

It’s no surprise that Fairstein, who as supervisor for the sex crimes unit of the Manhattan District Attorney’s Office broke new ground in the prosecution of crimes against women, also broke new ground in the depiction of prosecutors in fiction. Through Alex Cooper, she shows that the power of the prosecutor is not in the courtroom, but in the nearly unreviewable discretion they exercise outside of it.

The Mickey Haller series, by Michael Connelly (The most recent installment: The Gods of Guilt)

Much as Fairstein depicts the out-of-court life of Alex Cooper, Connelly delves into the life of defense attorney Mickey Haller. He’s neither true believer nor scoundrel. He’s just a really interesting guy who happens to be a lawyer.

KermitIn the Shadow of the Law, Kermit Roosevelt

In the way that atmospheric novels treat geographic setting as character, Roosevelt treats the law as a character here, both villain and protagonist.

The Emperor of Ocean Park, by Stephen Carter

I’ve got to include a book featuring a law professor at the center of a sprawling thriller. Yale Law Prof Carter provides a searing portrayal of both academic and judicial politicking.

Supreme Ambitions, by David Lat

This forthcoming novel lifts the veil on the prestigious but cryptic role of judicial clerks. The author, founder of the law-blog Above the Law (think: Entertainment Weekly for lawyers), is a rock-star among law-geeks (to wit, he coined the term “bench-slap,” which now appears in Black’s Law Dictionary).

It’s within this context that I situate my tenth novel, All Day and a Night, which tells the story of a wrongful conviction claim from the perspectives of both recurring character NYPD Detective Ellie Hatcher and a young defense attorney named Carrie Blank. It has been described as a combination of police procedural, courtroom drama, and psychological thriller. To defy easy categorization is the highest praise I can ask for.

    --Alafair Burke

Cheryl Tan Explores Singapore's Dark Side in "Singapore Noir"

NoirWhat I love about the "Noir" series of pulpy short story collections created by Brooklyn-based Akashic publishers is that each volume makes me hunger to visit that locale's underbelly. I've heard of spy tourists who, for example, visit the sites of Le Carre novels. (David Ignatious explores the idea in this recent post.) I could see these books inspiring a niche new travel meme, with literary geeks venturing into the alleys and red light districts of the dozens of cities in the Noir series.

I also love the pairing of geographically appropriate authors who've curated each volume: Laura Lippman for Baltimore Noir; Dennis Lehane for Boston Noir; and Joyce Carol Oates for the my home state in New Jersey Noir.

One of the latest entries in the series is Singapore Noir, comprising stories by some of the best-known writers of that ethically, culturally, linguistically diverse country. A Best Book of the Month in Mystery, Thriller & Suspense, Singapore Noir was edited by Singapore-born Cheryl Tan (A Tiger in the Kitchen), who answered a few questions about her home country's dark side.

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Tan-bw

NT: Noir? What's noir about Singapore? I thought it was sunny, safe, and squeaky clean?

CT: Oh there's definitely a sexy dark side to Singapore! In the 20 years that I've lived in the U.S. I've always been frustrated that people think of one of a few things whenever Singapore comes up: Caning, fines, strict laws. The country is much more colorful and complex than that. For starters, anyone who's ever visited Singapore will know that the best places to eat in the country are in the red-light districts. While you're sitting there having the most amazing plate of beef noodles, you'll find yourself surrounded by prostitutes and suddenly hungry men. And, although it's true that crime rates there are much lower than in much of the rest of the world, bad things do happen there, of course, even if rarely. There's a huge gambling culture--always has been, even before Sands built a multi-million-dollar glitzy casino a few years ago--and Singaporean loan sharks are terrifying! (You don't want them painting threatening notes on your front door in pig's blood, trust me.) There have been saucy sex scandals plastered across the papers there in recent years, horrific stories of maid abuse, clashes between the poor or the ordinary and the super rich (the country actually has a bar that serves up a $26,000 cocktail).

NT: Will you or the other “Singapore Noir” authors get caned for writing about Singapore’s inky pockets? 

CT: I hope not! Although, I suppose we may find out very soon. If you never hear from me again ...

In all seriousness, these stories are dark, yes--but they also show various facets of Singapore, Singaporean life, neighborhoods and quirky characters that haven't been much explored in literature outside of Asia so far. One of my favorite characters in the book is a feng shui master who doubles as a detective, for example--he pops up in Nury Vittachi's fast-paced "Murder on Orchard Road." When this master is called in to cleanse rooms where bad things such as deaths have happened, he looks around and, of course, figures out more than how to make the chi flow well again in the room. British novelist Lawrence Osborne's "Tattoo" pulls the curtain back on the very vivid world of Geylang, Singapore's main red-light district. 

And several of the stories touch on topics that have made headlines in Singapore in recent years--sex scandals, maid abuse, the growing expat population and how that's rapidly changing Singapore, the rise of the very wealthy. Colin Cheong's lovely "Smile, Singapore," follows a "taxi uncle"--what we call cab drivers--in the heartland of Singapore who's faced with a difficult decision. I also love a little detail he brings to the book--an old tradition of keeping the bone of a dead child with you so its ghost will protect you. It's details such as these that make this book uniquely Singaporean--and one that I think may be a little eye-opening.

NT: Why did you choose the “kelongs,” or old fisheries, as the site for your story, “Reel”?

CT: I've long been fascinated with kelongs, which are these fairly large fisheries on stilts that you see in the middle of the sliver of water that cuts a slice between Singapore and Malaysia. This is an old way of fishing that's rapidly disappearing--and I'd grown up Singapore fascinated with kelongs because my girlhood home on the East Coast of Singapore is not far from where most of the remaining kelongs are. It's a very romantic setting to me--this idyllic spot that's worlds away from the glitzy, modern Singapore that most people know. Looking out at them from the shores of Singapore, I always tried to imagine what life might be like when you're living in a kelong house, perched on slats of wood amid a labyrinth of tall, long stilts, out there in the middle of the water, with little else to do but wait for flotillas of fish to swim into your traps, what dangers might lurk--both in the water and out. Well in my story, something certainly does happen ... you'll just have to read the book to find out!

Mystery Solved: Sophie Hannah Suggests Five Great Entry Points for Reading Agatha Christie and Why

Agatha Christie's last novel, published in 1976, was Sleeping Murder. Miss Marple's Last Case, as it was subtitled, saw her return to her small village home, hanging up her detective's hat for good. She certainly fared better than Hercule Poirot, whom Christie killed off when Curtain was published the year before (though she had written it decades earlier).

But it seems even death, neither real nor fictional, can keep the great Poirot down. Agatha Christie's estate, for the first time since she passed on in 1976, has authorized a new Poirot novel to be written by British author Sophie Hannah. We'll have more about that closer to the book's publication in September. For now, to celebrate our list of 100 Mysteries and Thrillers to Read in a Lifetime -- where Agatha Christie is the only author to appear more than once -- we asked Hannah to share her own list dedicated to Agatha Christie's work. Here's what she had to say.


Murder on the Orient Express

GENIUS SOLUTION AWARD: Murder on the Orient Express

This book has the best solution-to-a-mystery of all time. It cannot be beaten, has never been beaten, and will never be beaten. It is perfect, elegant and --best of all -- its brilliant concept can be summarised in five words. I spent years pointlessly wishing I'd thought of it, then more years equally pointlessly wishing I'd thought of something else that was anywhere near as good. The train stuck in the snow is a wonderfully atmospheric setting, and Poirot is at his best in this book.
Sleeping Murder

IMPOSSIBLE PREMISE AWARD: Sleeping Murder

This is the best of Agatha's "It can't be happening and yet it is" books. It begins with the unlikely scenario of a woman finding herself in a house that she knows very well, and recognizes right down to its old, peeling wallpaper -- but she also knows that she has never been there before and so the house cannot possibly be familiar to her. At the beginning of this novel, the reader thinks, "It's a great premise, but it simply cannot be made to work without resorting to ghosts or aliens with special powers" -- and then Agatha makes it work stunningly well, while playing fair with the reader throughout.
Lord Edgeware Dies

MOST SINISTER MURDERER AWARD: Lord Edgeware Dies

Agatha's murderer characters are not always so psychologically developed, but the killer in this novel is so vividly realized, and so horribly plausible, that I would, on balance, prefer to be murdered by any or all of Agatha's other murderers rather than this one. There's a section of the book in the killer's voice at the end, and it is utterly chilling and convincing. I suspect Agatha knew someone with this kind of personality, and based the killer in this book on him or her.
After The Funeral

BEST ALL-ROUNDER: After The Funeral

Everything about this novel is wonderful. The characters are brilliantly drawn, the balance between plot and character is exactly as it should be, and the structure of the story is perfectly sculpted. The clues are where they should be -- visible but not too obvious -- and the motive is one of the most memorable in Agatha's fiction. I wouldn't commit murder for this reason personally, but it's such a unique, persuasive and idiosyncratic motive that, once the solution is revealed, the whole book comes alive in a new way. It's also a double-layered motive, which makes it more interesting. There is an obvious reason why the killing takes place, but beneath that there is another reason -- the true motive 0-- which is so poignant and plausible, it takes the book to a whole other level of excellence.
Three-Act Tragedy

INNOVATIVE IDEAS AWARD: Three-Act Tragedy

In this novel, there are three murders. One is ordinary enough, but the other two are committed for reasons that are conceptually so daring and inspired that you can actually feel the possibilities of the genre expanding as you read. Both of these -- as with the perfect solution to Murder on the Orient Express -- can be summed up in a sentence. When you read this novel, you realize that Agatha never -- not for a second -- stopped thinking to herself "Why else might someone kill? What other reason could there be, that I haven't thought of yet?" You can feel her enquiring intellect at work in these pages, and it is a joy to behold.

Omnivoracious™ Contributors

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